
Amoy, Staten Island, NY © Coco Martin
Coco Martin is a self taught photographer and (schooled) architect. Martin uses photography as an entry point to various social and cultural environments, relishing the opportunity to meet and connect with the individuals sighted in front of his lens.
More of Coco’s work can be seen at www.cocomartin.us
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Reworking the Family Album © Thomas Boyer
Photographer Thomas Boyer turns to old photo albums not to reminisce fondly but for a better understanding of family dysfunction. Greatly impacted by the acrimonious divorce of his parents, Boyer meticulously edits family snapshots to produce a layered examination of the emotions he has likewise edited but is unable to let go.
See more of Boyer’s work at www.f22gallery.com
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Float © John Bridges
Photographer John Bridges Reverie project seeks to interpret knowledge that is just beyond reach, exiting the frame or just out of focus. Bridges has exhibited widely across the United States including New York, Oregon, Vermont, Louisiana, Tennessee, California and Florida and now adds Colorado to the mix.
See more of John’s work at http://johnbridgesphotography.com and find him on Facebook HERE
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Not Much of an Ottoman © Mary Zompetti Lowe
Vermont based photographer Mary Zompetti Lowe has a knack for the subtleties of suburbia. Zompetti Lowe was recently featured in a solo exhibition at the 215 College Gallery in Burlington, Vermont. When she isn’t surveying the mise en scene of suburban life Zompetti Lowe is the Photography Program Director at Burlington City Arts.
Visit http://maryzompettilowe.com to see more of Mary’s work
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Untitled No.62 © Kerry Mansfield , Solo Exhibition Award Winner.
Merging the interior with the exterior, Kerry Mansfield uses reflections to layer the spaces in her Borderline series. Actively seeking instances where natural external space shifts seamlessly (yet unintentionally) into domestic structure.
Mansfield writes:
Throughout this exploration I have found an often harmonious union between man and nature. Mirrored, reflected and superimposed, the elements became interchangeable. The sky became ceilings. Trees became walls. Ground became floor. Air became windows. In the resulting photographs, the windows themselves vanish entirely while the outside pours inside and vice versa. Once a structure is built, we then believe ourselves separate or “safe” from the so-called chaotic influences of the natural world. What I have found is that, in many respects, what we really believe is an illusion of separateness. And we’ve chosen this as our reality.
Mansfield’s work will be showcased in a solo exhibition at the Center.
See more of Kerry’s series at www.kerrymansfield.com
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La Nueva Vida © Tami Bone; Juror’s Selection
The tag line on Texas based photographer Tami Bone’s website reads “ordinary beauty, everyday humanity” but what you will quickly realize is that there is nothing quite ordinary about Tami Bone’s images. Her softly focused two tone visions inject the ordinary with dream-like surreality.
She writes that her current project
…pulls fragments of memory and figments of imagination from a childhood spent growing up in the rough and tumble of deep South Texas.
Bone’s work was most recently featured at the Center in the Natural World exhibition and awarded Juror’s Selection by Susan Spiritus.
See more of Tami’s work at www. tamibonephotographs.com
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